Feed front of house and monitors from one stage.
Two engineers, two consoles and one stage full of microphones. The S16 converts 16 analogue inputs on stage to digital, so no analogue snake is needed. They reach the console over one Ethernet cable, and 48 digital channels come back on the same cable.
Split the stage between two desks
In Split 1.3 mode, the 16 XLR inputs feed the first 16 channels of both AES50 outputs. The console on AES50 A of the first S16 controls preamp gain. The preamps can be remote-controlled from Midas M-Series, Behringer X-series and WING series consoles.
Up to 48 inputs on one cable
Daisy-chain up to three S16s and 48 analogue inputs reach the console over a single Ethernet cable. Set the second unit to +8 and the third to +16. Each then puts different console channels on its eight XLR outputs.
Check a channel without walking to the desk
Plug headphones into the S16 to monitor a single input or a stereo pair from AES50 A. Gain and phantom power can also be set on the front panel. Two ADAT outputs add 16 digital channels, and ULTRANET feeds P16-M personal mixers.
