Tune the room before anyone walks in.
Soundcheck in an empty hall, and the PA sounds nothing like the last venue. Put a measurement microphone on the RTA/MIC input and look at the whole frequency range at once.
Measure first, then correct
The 61-band real-time analyser has an auto EQ function for room and loudspeaker equalisation. The RTA/MIC input offers switchable +15 V phantom power for condenser microphones. A built-in pink noise generator is on board.
Four EQ modules, side by side
Choose a 31-band graphic EQ, a 10-band parametric EQ, the Feedback Destroyer and 3 dynamic EQs per stereo channel. A compressor/expander with peak limiter works on each stereo channel too.
Feedback that moves with the band
Feedback frequencies shift as positions on stage change. AUTO mode is made for that kind of feedback. SNGL filters lock onto a frequency once found. Up to 10 digital notch filters per channel do the work.
From live rig to mastering studio
Store complete setups in 64 user memories. Connect over balanced XLR, AES/EBU or S/PDIF on XLR and optical, with wordclock and MIDI. If the power fails, a relay switches to hard bypass.
