Add detail and weight to a mix that sounds flat.
A mix can be balanced and still sound dull on the PA or in the recording. This stereo processor works on both ends of the spectrum. A harmonic exciter adds detail on top, and a bass processor tightens the low end.
Tighter, fuller bass
DRIVE sets the intensity of the bass processing. The ideal point is when the green LED lights regularly on loud bass peaks. The longer it lights, the tighter and more voluminous the bass. TUNE sets the upper cut-off from 50 Hz to 145 Hz. MIX blends it with the original.
Harmonics for detail
The exciter TUNE sets the cut-off frequency where it starts working, from 1.2 kHz upward. HARMONICS sets how many harmonics are added, which shapes detail reproduction. Use MIN for critical signals such as voice and MAX for extreme processing such as drums. MIX blends the effect in.
Between the mixer and the amplifier
Two XLR and two ¼" TRS inputs take balanced line-level sources such as a mixing console. Use only the jacks or the XLR sockets, not both at once. The balanced outputs feed amplifiers, further processors or recording devices. The IN/OUT LED lights blue when processing is on and red when it is off.
